1984: Early & Final Drafts

1984: draft

     It was a cold day in early April, and a million radios were striking thirteen. Winston Smith pushed open the glass door of Victory Mansions, turned to the right down the passage-way and pressed the button of the lift. Nothing happened. He had just pressed a second time when a door at the end of the passage opened, letting out a smell of boiled greens and old rag mats, and the aged prole who acted as porter and caretaker thrust out a grey, seamed face and stood for a moment sucking his teeth and watching Winston malignantly.

      “Lift ain’t working,” he announced at last.

      “Why isn’t it working?”

      “No lifts ain’t working. The currents is out at the main. The ‘eat ain’t workin’ neither. All currents to be cut off during daylight hours. Orders!” he barked in military style, and slammed the door again, leaving it uncertain whether the grievance he evidently felt was against Winston, or against the authorities who had cut off the current.

      Winston remembered now. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, conscious of his thirty-nine years and of he varicose ulcer above his right ankle, rested at each landing to avoid putting himself out of breath. On every landing the same poster was gummed to the wall–a huge coloured poster, too large for indoor display. It depicted simply and enormous face, the face of a man of about forty-five, with ruggedly handsome features, thick black hair, a heavy moustache and an expression at once benevolent and menacing. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption ran.

1984: published 

     It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.

     The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. the flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.

Interested in knowing more about the changes made between these documents? Check out our In-Depth Analysis of George Orwell's 1984 Edits.

Leave a Reply 0 comments